
This first solo exhibition dedicated to Baan’s work highlights the rich and idiosyncratic nature of his oeuvre, with an emphasis on recent Asian assignments. Based at any given time in London, Amsterdam, Paris, Beijing or New York, Baan’s modus operandi redefines the traditionally static relationship between the architectural photographer and his subject (the immovable building, and the equally unmoving photographer behind the ground glass screen of a 5x4 plate camera) with an approach borrowed more from reportage photography – transient, animated, fast-paced. The resulting unique documentary quality of his architectural photographs, which entertain as much as they mesmerise, also resonates with the extraordinary qualities of a wide range of recent buildings. His perspective on recent works by OMA, SANAA, Steven Holl, Sou Fujimoto, Toyo Ito, Zaha Hadid, Michael Maltzan and Diller Scofidio + Renfro, a number of which feature in this show, has given scope for new interpretations. Baan’s photographs are published and collected internationally. He is a regular contributor to Domus and Abitare, and his work frequently features in The New Yorker, New York Times, TIME magazine, A+U, ICON, MARK and FRAME.